现代水墨淡彩几何山峦极简留白场景提示词

Modern ink-wash light-color illustration, geometric mountains, monochrome blue-green palette, paper grain texture, minimalist negative-space composition. In the upper left, layered isosceles-triangle mountains recede from deep ink-teal to pale grey-blue, creating aerial perspective; the color blocks have dry-brush edges and water stains with fine grainy paper texture. Below the mountains lies a pale cyan water surface; slightly left of center floats a tiny ink-black boat with one figure and a faint reflection; to the right of the water is a small sandbar with a few ink-black pine silhouettes. The right and lower areas are large off-white paper negative space, with an S-shaped curve winding from the middle toward the lower right, separating the cyan water from the off-white sandbar; a few thin broken ink arcs scatter on the sandbar like water marks or sand ripples. Vertical composition, mountains clustered upper left, negative space dominating right and bottom, visual weight at the meeting of the triangular peaks and the S-curve. Flat diffuse light, no clear light direction, depth expressed by tonal steps. Main colors blue-green and grey-blue, secondary off-white paper, accent ink-black boat and pines. No text in the image. Cool, quiet, ethereal mood built from vast negative space, geometric peaks and a lone boat. High detail, clear paper grain, soft transitions at color-block edges, illustration medium, not photography or 3D.